Wednesday, September 8, 2010
Monday, August 16, 2010
Parents
My respect and awe for those of you who are parents is profound.
Married at a late age with health concerns and a problematic gene pool, it was never really a realistic choice for me.
My music and my art take what little "extra" time I do have and are, for all intents, my "children". Pale shadows in comparison to real children...but it's all I have to offer other than myself.
What an amazing journey on a beautiful yet uncertain road.
Married at a late age with health concerns and a problematic gene pool, it was never really a realistic choice for me.
My music and my art take what little "extra" time I do have and are, for all intents, my "children". Pale shadows in comparison to real children...but it's all I have to offer other than myself.
What an amazing journey on a beautiful yet uncertain road.
Sunday, August 1, 2010
Welcome to Walden
Finished another song this afternoon: Walden. A little ditty about a certain naturalist's take on epiphany. :)
A little stranger than I was originally intending...
Synths used:
Waldorf Microwave XT, Nord Stage, Absynth4, Alchemy and Korg Electribe ES-1
Lost soul running over the ice so wide
Hearing the voice
"You will come to us"
"You will come to us"
Tiny log cabin by water so bright
Blinded by nature
"You will come to us"
"You will come to us"
Walk in the forest, day and night
Life in the woods
"You will come to us"
"You will come to us"
Transcendental in your daily life
It's only Walden
"You will come to us"
"You will come to us"
"You will come to us"
"You will come to us"...
Friday, July 16, 2010
Stealing the Sun - nearly finished now
My work-in-progress, "Stealing the Sun" is nearly ready. I'll add tracks to this set as they get mastered in preparation for CD production:
Stealing the Sun - preview by Carbon111
In the meantime unfinished tracks will be removed from this blog. I'll replace them later as they get polished and prepped for the CD and Digital Download release.
Stealing the Sun - preview by Carbon111
In the meantime unfinished tracks will be removed from this blog. I'll replace them later as they get polished and prepped for the CD and Digital Download release.
Friday, July 9, 2010
Friday, June 25, 2010
Finally, A Burger Worth Dying For.
Due to the high mortality rates, the famous Kanoobang™ burger chain has decided to change their marketing slogan to "A burger worth dying for" a spokesperson said today. This has come just three weeks after the media furor over the leaked revelation that Kanoobang™ burgers were made entirely with fossil beef, strip-mined from ancient bovine deposits in environmentally sensitive Wyoming and Oregon watersheds.
Environmentalists are still picketing Kanoobang locations in many states. The FDA and EPA have taken no stance as of yet.
Kanoobang™ sales have soared.
More on this as the story unfolds.
Friday, May 28, 2010
My new general-purpose PC
In addition to my music DAW and Softsynth PC, I have an all-purpose PC I use for Photoshop, Gaming, web browsing, DVD burning and what-have-you. The old machine I was using was getting pretty long-in-the-tooth so it was that time again...time to piece together a new computer! I love doing this!!! ^_^
This was also the perfect opportunity to finally upgrade to a 64 bit OS and now that the specter of Vista was behind us, Win7 was looking pretty good.
This was also the perfect opportunity to finally upgrade to a 64 bit OS and now that the specter of Vista was behind us, Win7 was looking pretty good.
The sheer amount of power you can get these days for $1225.00 boggles my mind - this relatively modest machine replaced a five year old pentium D machine that cost me twice as much to build and was an absolute slug by comparison.
Here's the specs:
The DP55WG is a basic board but with some surprising extras like SPDIF audio, onboard diagnostic LED readout and external bios reset button. I've been building my own PCs for a couple of decades now and have found that pairing an Intel board with an Intel processor and decent cooling makes for a very stable system, even in this case with the quad-core CPU clocked to 3.6 GHz.
Been using this machine for about a month now and, so far, it tears through every app I've thrown at it. DVD encoding takes minutes instead of hours now. Some of the most demanding photoshop filters take only moments and I'm getting very high frame rates (at 1920 x 1080) for Fallout 3 and TES4! Haven't had a single crash, lockup or bluescreen either - this has been absolutely rock-solid! I give Intel and G.Skill high praise for this.
The only thing I'm still not happy with is my keyboard...so I've ordered something special. I'll blog about it soon. ;)
Here's the specs:
- Intel Core i5-750 Lynnfield 2.66GHz Quad-Core CPU (clocked cool and stable @ 3.6 GHz)
- Intel DP55WG LGA 1156 P55 ATX Intel Motherboard
- ZALMAN 120mm 2 Ball Low-noise Copper CPU Cooler
- Kingston SSDNow V Series 64GB Solid State Drive (OS/boot)
- Western Digital Caviar Black 1TB 7200 RPM SATA II Hard Drive (apps, storage)
- Western Digital Caviar Black 1TB 7200 RPM SATA II Hard Drive (backup)
- G.SKILL Ripjaws Series 8GB (4 x 2GB) DDR3 1600 SDRAM
- Asus DVD-RW
- PNY GeForce GTS 250 - 1 Gigabyte GDDR3
- Microsoft Windows 7 Home Premium 64-bit
The DP55WG is a basic board but with some surprising extras like SPDIF audio, onboard diagnostic LED readout and external bios reset button. I've been building my own PCs for a couple of decades now and have found that pairing an Intel board with an Intel processor and decent cooling makes for a very stable system, even in this case with the quad-core CPU clocked to 3.6 GHz.
Been using this machine for about a month now and, so far, it tears through every app I've thrown at it. DVD encoding takes minutes instead of hours now. Some of the most demanding photoshop filters take only moments and I'm getting very high frame rates (at 1920 x 1080) for Fallout 3 and TES4! Haven't had a single crash, lockup or bluescreen either - this has been absolutely rock-solid! I give Intel and G.Skill high praise for this.
The only thing I'm still not happy with is my keyboard...so I've ordered something special. I'll blog about it soon. ;)
Friday, May 21, 2010
A Lot Can Happen In A Decade...
Just for fun, this is me in my studio ten years ago. Tali was one year old.

The Waldorf Micro-Q had just been released. It and the Microwave XT were the centerpiece of my studio. I was using a couple of Bose patio speakers for monitors.
The Waldorf Micro-Q had just been released. It and the Microwave XT were the centerpiece of my studio. I was using a couple of Bose patio speakers for monitors.
Monday, May 17, 2010
Messing about with Win7's Movie app...
"Silver Thread" from my forthcoming album was used as a Guinea Pig, trying out the free video software in Win7. It's basically a slideshow of a number of my CG images.
Sunday, May 16, 2010
Monitor mayhem...
I spent most of Saturday at my local Banjo Shack inflicting an entire CD's worth of my rough mixes on two very patient sales guys. Unfortunately, my budget was only about half of what it was when I got my ADAMs so I had to be extremely thrifty as well as critical.
I had almost settled on a pair of KRK VXT 8s but every one of the four units I tested had some weird flaw - a silent tweeter, a fluttery woofer, an intermittent high-pitched whine, etc. It has completely soured me on KRK as a brand. Shame, because the VXT 8s looked to be a perfect fit.
The M-audios I tested colored the midrange too much, the JBLs had too many "bells and whistles" adding much to the cost and little to their functionality, the Events were too colored, the Mackies weren't in stock, etc...
My final choice was a bit of a revelation for me. After hours of listening and re-listening, I finally ended up settling on a pair of Yamaha HS80M monitors. I had been prepared not to like these as Yamaha modeled their aesthetics on their famous NS10 grotboxes, white woofers and all. Sound-wise though, they were a welcome surprise with a very flat response and nicely revealing of the subtle flaws in my test mixes. At less than $400 a piece, the price was seriously too good to be true - especially considering the sound quality. Suffice to say, I left with two largish boxes on a hand truck.
So far these HS80Ms have been perfectly lovely in the studio, much better than I had hoped in fact! The HS80Ms have a slightly more "forward" or "aggressive" sound than the ADAMs but, so far, haven't been fatiguing, even during long mixing sessions. Working with them has been an absolutely painless transition so far. They're not overbright and the response seems very flat all the way down into the lower bass regions though there is a noticeable rolloff around 50hz or so. I hate to admit it but, in some ways, these are more helpful to me than the ADAMs have been. Placement of instruments in the stereo field seems more accurate and the bass extension seems more detailed, allowing me to fit "bassy" instruments together better with less overlap. The "sweet spot" is a lot wider than what I've grown used to as well. I've had a chance the last few days to remix a number of my tracks and check their translation on other systems and have been getting great results!
I should mention that despite my exuberance, the new monitors aren't perfect - nothing is. The HS80Ms' tone is a trifle agressive as I mentioned before. They're not razor-flat either...but no monitor I've ever tried has been. You just have to decide if it's good enough for you and will the mixes translate? If the answer is "no", there's plenty of other monitor choices. So far neither of these things has been an issue...but I'll be sure to say something if it becomes one. But, for now, the honeymoon ain't over yet. ;)
We'll see how these "budget" monitors hold up but, so far, I'm completely floored by the quality/price ratio on these things. I'm even starting to get used to the ugly white woofers.
Sunday, April 11, 2010
Working on another song...
This one is tentatively called "In the Big Room". Vocals aren't finished yet:
In the Big Room - rough mix
Tali approves:
Thursday, April 8, 2010
Halou
Another wonderful band that's been around for more than a decade...that I've never heard of.
Beautifully dark, with coarse as well as silky timbres. I find this kind of indie stuff charming as hell and impossible to resist.
Recommended if you like Bel Canto, Massive Attack or Cocteau Twins.
Sunday, April 4, 2010
Relaxing
I hope everyone is having a relaxing weekend. I can highly recommend the application of a cold beer and a warm cat. Cheers!
Wednesday, March 17, 2010
Complete album, Shadow, free to listen...
As some of you probably noticed, I got myself a Soundcloud account. It's made managing my online music much easier. One upshot is I can make entire albums of work available now.
Last year's instrumental chill album "Shadow" can now be listened to in its entirety:
If you like it, pick up the CD at CD Baby.
Enjoy!
Last year's instrumental chill album "Shadow" can now be listened to in its entirety:
If you like it, pick up the CD at CD Baby.
Enjoy!
Monday, March 15, 2010
Silver Thread
Another busy weekend in the studio...for me anyway. I can't speak for Tali:

I've been on a bit of a roll - yet another new song is completed!
Silver thread by Carbon111
Silver Thread was composed with Ensoniq Fizmo, Waldorf Q, Korg Oasys and Digidesign's Boom softsynth. The vocals are all me again.
Past the hour when little girls should dream
The road is silent, the hills are steep
Your wings are heavy with dust and sleep
You're miles afar from places you should be
Follow my voice along this silver thread
Follow my voice along this silver thread
Incense trees grow along dim lanes
A shadow city full of candle flames
Fly on and on my Abyssinian maid
Leave Kubla Khan to history"s fate
Follow my voice along this silver thread
Follow my voice along this silver thread
My house is warm and the time is late
Dip your wing and find this path safe
Little bird flies down to a sunless sea
What draws you on to set your heart free?
Follow my voice along this silver thread
Follow my voice along this silver thread
I've been on a bit of a roll - yet another new song is completed!
Silver thread by Carbon111
Silver Thread was composed with Ensoniq Fizmo, Waldorf Q, Korg Oasys and Digidesign's Boom softsynth. The vocals are all me again.
Past the hour when little girls should dream
The road is silent, the hills are steep
Your wings are heavy with dust and sleep
You're miles afar from places you should be
Follow my voice along this silver thread
Follow my voice along this silver thread
Incense trees grow along dim lanes
A shadow city full of candle flames
Fly on and on my Abyssinian maid
Leave Kubla Khan to history"s fate
Follow my voice along this silver thread
Follow my voice along this silver thread
My house is warm and the time is late
Dip your wing and find this path safe
Little bird flies down to a sunless sea
What draws you on to set your heart free?
Follow my voice along this silver thread
Follow my voice along this silver thread
Sunday, February 28, 2010
A New Song: "The Initiation"
The initiation by Carbon111

I think one of the most interesting Initiations is the "Walkabout" Rite Of Passage when one is forced to finally rely on no one else and accomplish a task that tests the limits of one's spirit. When the initiate gets home they are then full members of the society, having gone through the same trial as everyone else. A magical transformation through finding one's self in the wilderness.
My new song, The Initiation, is an echo of this.
Lead Drones are from the SCI Prophet 600, Piano is Nord Stage, Pads are provided by Nord Wave, and Metallic Stabs and Drums are Korg Oasys.
How can I say from where
Light just shines out of there
These eyes that wear no mask
There's nothing left to ask
And nothing left to hide
It's black up in the sky
The stars have all gone napping
Who can say just what's been happening?
I'm not your hero anymore
I'm just The Fool
You have to stand alone this time
Or be destroyed
As gentle as a dove
And with a serpent's love
You have to leave me here
There's nothing left to fear
Now find your own way home
All journeys made alone
Through darkness and cold air
You know I'll meet you there
I'm not your hero anymore
I'm just The Fool
You have to stand alone this time
Or be destroyed
Through darkness and cold air
You know I'll meet you there
Through darkness and cold air
You know I'll meet you there...
I think one of the most interesting Initiations is the "Walkabout" Rite Of Passage when one is forced to finally rely on no one else and accomplish a task that tests the limits of one's spirit. When the initiate gets home they are then full members of the society, having gone through the same trial as everyone else. A magical transformation through finding one's self in the wilderness.
My new song, The Initiation, is an echo of this.
Lead Drones are from the SCI Prophet 600, Piano is Nord Stage, Pads are provided by Nord Wave, and Metallic Stabs and Drums are Korg Oasys.
How can I say from where
Light just shines out of there
These eyes that wear no mask
There's nothing left to ask
And nothing left to hide
It's black up in the sky
The stars have all gone napping
Who can say just what's been happening?
I'm not your hero anymore
I'm just The Fool
You have to stand alone this time
Or be destroyed
As gentle as a dove
And with a serpent's love
You have to leave me here
There's nothing left to fear
Now find your own way home
All journeys made alone
Through darkness and cold air
You know I'll meet you there
I'm not your hero anymore
I'm just The Fool
You have to stand alone this time
Or be destroyed
Through darkness and cold air
You know I'll meet you there
Through darkness and cold air
You know I'll meet you there...
Wednesday, February 10, 2010
Life is good!
No, really.
I think most of us in the "developed" world forget sometimes how good we have it, focusing on what we want rather than what we are lucky to have. Shattering cataclysms like the Haitian quake can really drive this home when you see people who had very little be reduced to people who have nothing.
Recently, a friend clued me in to Shelter Box, a nonprofit org supplying shelters and supplies to people in desperate need. Every $1000 they get buys one "Shelter Box", containing the following:

• One ten-person tent, including two fabric interior privacy partitions, outer fly-sheet and repair kit. These tents are considered ‘winter suitable’ by international relief standards.
• One 49 gallon box (The ShelterBox) initially the container for delivery of the materials listed below. Once delivered, the box takes an all kinds of uses and can be used as a water tank, food store, table, even a cot.
• Vinyl insulated sleeping mats and lightweight thermal blankets. More compact than sleeping bags, these mats and blankets have multiple uses. The blanket can also be fashioned to catch water, as a tarp, while the mat also serves as a ground ‘table’ for meals, or tent rugs.
• One pack of 180 water purification tablets or a water purification kit; and one 5 gallon flat-pack water container (Each tablet will purify a full container of water providing 1,800 gallons of clean drinking water which should be sufficient for a family of ten for up to three months).
• Two 2.1 gallon, collapsible, plastic water carriers.
• One collapsible trenching shovel
• Rope, 164 foot
• Repellant-treated mosquito netting
• Ten PVC Ponchos/ ten heavy duty plastic bags
• Tool kit in canvas bag: hachet, jack-knife, screwdriver, hammer, hoe head.
• Multi-fueled cook stove
• Eating utensils: plates and cups
• Children's activity kit-simple school supplies, stickers and coloring book.
A place to live and the means to provide some self-sufficiency amid devastation is a priceless thing.

In this day and age when people are afraid to give because so many so-called charities are skimming too much off the top for "administrative" purposes, it's refreshing to find a solid organization that takes a different tack.
Any size donation is acceptable and will help: http://www.shelterbox.org
I think most of us in the "developed" world forget sometimes how good we have it, focusing on what we want rather than what we are lucky to have. Shattering cataclysms like the Haitian quake can really drive this home when you see people who had very little be reduced to people who have nothing.
Recently, a friend clued me in to Shelter Box, a nonprofit org supplying shelters and supplies to people in desperate need. Every $1000 they get buys one "Shelter Box", containing the following:
• One ten-person tent, including two fabric interior privacy partitions, outer fly-sheet and repair kit. These tents are considered ‘winter suitable’ by international relief standards.
• One 49 gallon box (The ShelterBox) initially the container for delivery of the materials listed below. Once delivered, the box takes an all kinds of uses and can be used as a water tank, food store, table, even a cot.
• Vinyl insulated sleeping mats and lightweight thermal blankets. More compact than sleeping bags, these mats and blankets have multiple uses. The blanket can also be fashioned to catch water, as a tarp, while the mat also serves as a ground ‘table’ for meals, or tent rugs.
• One pack of 180 water purification tablets or a water purification kit; and one 5 gallon flat-pack water container (Each tablet will purify a full container of water providing 1,800 gallons of clean drinking water which should be sufficient for a family of ten for up to three months).
• Two 2.1 gallon, collapsible, plastic water carriers.
• One collapsible trenching shovel
• Rope, 164 foot
• Repellant-treated mosquito netting
• Ten PVC Ponchos/ ten heavy duty plastic bags
• Tool kit in canvas bag: hachet, jack-knife, screwdriver, hammer, hoe head.
• Multi-fueled cook stove
• Eating utensils: plates and cups
• Children's activity kit-simple school supplies, stickers and coloring book.
A place to live and the means to provide some self-sufficiency amid devastation is a priceless thing.
In this day and age when people are afraid to give because so many so-called charities are skimming too much off the top for "administrative" purposes, it's refreshing to find a solid organization that takes a different tack.
Any size donation is acceptable and will help: http://www.shelterbox.org
Monday, December 21, 2009
Are web series changing the mainstream?
I admit I'm a bit of a slow pony when it comes to keeping up with bleeding-edge entertainment phenomena, but a new trend of fun web-based media has piqued my interest.
I think it may have started with web-based comix like Jon Rosenberg's wonderful "Goats" which burgeoned until collected volumes were showing up in bookstores everywhere. Then the phenomena moved on to animated shorts like "Happy Tree Friends" or Dave Lovelace's unabashed "Retarded Animal Babies" both now available on DVD. Things that once only had life on the web, now are beginning to have a commercial life in the "real" world.
With recent Web-to-TV transitions like the SF extravaganza "Sanctuary" or Joss Whedon's Web-to-DVD comedy "Dr. Horrible's Sing-along Blog", things seem to be in full bloom.
The most recent manifestation to hit my radar is "Riese, The Series".
Riese is an exciting and engaging action-driven story about a mysterious femme fatale wanderer and her faithful wolf companion. The Riese phenomenon was helped along with a fierce viral web campaign featuring a virtual scavenger hunt of sorts across the internet. The better-than-average production values are evident though it's still obviously a lower budget affair. Relatively inexpensive HD video cameras like the breakthrough "Red One" and cheaper computer-based visual effects are beginning to blur the line between "budget" and "quality". This can only be a healthy thing, putting the means of professional production in new, adventersome hands.
The thing I'm finding most interesting with this new web-spawned media is that a small creative team, usually only two or three people, have complete control over story and character - a far cry from the watered-down-by-committee/dumbed-down-to-the-lowest-common-denominator dross that comprises the majority of the network shows these days. When the creative control is in fewer hands, I think the end product really shines as a unique beacon with tons of character.
Riese is a good example of this. While still falling easily into the dystopian fantasy/action mold, there are creative touches that make this quirky enough to stay engaging and give it a touch of class that is usually "polished away" in the mainstream media. If the lack of budget shows through occasionally, well that just adds to the charm I say.
The media "Goliaths" would do well to take note of the doings of these independent "Davids" now practicing their craft on the World Wide Web.
Sunday, November 29, 2009
Music In Our Homes
Both lush and minimal, this album hosts an eclectic mix of electoacoustic and electronic instruments, fronted by a unique voice. Woven from intricate melodies, broad drones and percussive bits the fabric of this music is both rough and velvet-soft. I'm really loving this.
On the exceptional strength of these songs, I'm looking forward to more excellent music in the future from these folks.
Check the album out: Music In Our Homes
Sunday, November 22, 2009
Dreams, Microphones and Financial Reality
The Dream: the Telefunken ELA M 250. $14,495.00 list and a mere $11,500.00 street!

...At the asking price, I'll never be able to own one.
Fortunately for me, the B.L.U.E. Blueberry has a rather similar signature sound:

...and is less than a tenth of the cost! It's currently my favorite mic. My voice, while passable, needs all the help it can get. ;)
---
My second favorite high-value/low-budget mic is an oddball combo that sounds surprisingly like a Neumann U87. Namely, the RTT M1 (LOMO) head paired with an Oktava MK012 body.
Purchased through a place like The Sound Room, the total cost is around $500 for the pair. Considering the sound and the quality you get for the price, it's a no-brainer in my opinion:

+

---
It's amazing what you can do on a budget these days. Low-cost Chinese manufacturing paired with American assembly and quality control has even paved the way for a really good-quality ribbon mic for around $250 courtesy of Shinybox Ribbon Microphones:

If you don't mind shelling out $150 more, you can have the same mic but with your choice of Cinemag or Lundahl output transformer.
---
There are some similar low-cost "deals" from some mainstream manufacturers that show up in the big-store catalogs, but the quality just isn't there in my opinion.
As the above examples show, there are some amazing deals are out there if you dig around a little...and if you're willing to shell out a little extra than the bare minimum.
Next up, I show the viewers at home how to buy caviar and champagne for pennies on the dollar... ^_^
...At the asking price, I'll never be able to own one.
Fortunately for me, the B.L.U.E. Blueberry has a rather similar signature sound:
...and is less than a tenth of the cost! It's currently my favorite mic. My voice, while passable, needs all the help it can get. ;)
---
My second favorite high-value/low-budget mic is an oddball combo that sounds surprisingly like a Neumann U87. Namely, the RTT M1 (LOMO) head paired with an Oktava MK012 body.
Purchased through a place like The Sound Room, the total cost is around $500 for the pair. Considering the sound and the quality you get for the price, it's a no-brainer in my opinion:
+
---
It's amazing what you can do on a budget these days. Low-cost Chinese manufacturing paired with American assembly and quality control has even paved the way for a really good-quality ribbon mic for around $250 courtesy of Shinybox Ribbon Microphones:
If you don't mind shelling out $150 more, you can have the same mic but with your choice of Cinemag or Lundahl output transformer.
---
There are some similar low-cost "deals" from some mainstream manufacturers that show up in the big-store catalogs, but the quality just isn't there in my opinion.
As the above examples show, there are some amazing deals are out there if you dig around a little...and if you're willing to shell out a little extra than the bare minimum.
Next up, I show the viewers at home how to buy caviar and champagne for pennies on the dollar... ^_^
Monday, November 16, 2009
Goodbye Edward...
I just heard about Edward Woodward's passing. A fantastic actor with a long and varied career. Sad that, more and more, all my "old friends and heroes" seem to be leaving. :(
When I think of Edward Woodward, the first thing that comes to my mind is his role as the naive yet well-meaning police officer Neil Howie from the movie "The Wicker Man". A stunning piece of acting there Ed! You'll be sorely missed.


When I think of Edward Woodward, the first thing that comes to my mind is his role as the naive yet well-meaning police officer Neil Howie from the movie "The Wicker Man". A stunning piece of acting there Ed! You'll be sorely missed.
No Time
No time by Carbon111
As mentioned before, "Stealing The Sun" is coming along nicely - I just finished remixing a short song called "No Time", featuring my voice and a number of synths from the Korg Oasys.
Craft a song of Death and Sunshine
Tell a story: Love and Moonshine
Time So Long
There's No Time
Admiration for all my foes
Abject love for your crooked smile
Time So Long
There's No Time
Every breath is Hello/Goodbye
Every word just blurs Day to Night
Time So Long
There's No Time
As mentioned before, "Stealing The Sun" is coming along nicely - I just finished remixing a short song called "No Time", featuring my voice and a number of synths from the Korg Oasys.
Craft a song of Death and Sunshine
Tell a story: Love and Moonshine
Time So Long
There's No Time
Admiration for all my foes
Abject love for your crooked smile
Time So Long
There's No Time
Every breath is Hello/Goodbye
Every word just blurs Day to Night
Time So Long
There's No Time
Saturday, November 14, 2009
Secret Weapon
The Allen & Heath VF-1 1U rackmount filter has turned out to be an indispensable studio tool for me. In many ways its the best "vintage warmer" I've ever used. However, it's quite capable of a wide variety of tasks and shouldn't be pigeonholed as "just a processor for cold digital sources" - though it does that in spades!
The VF-1 can be an extremely subtle effect, maybe used just to add some phase movement, or it can be totally in-your-face with squelchy lowpass sweeps and scorching tube distortion. That said, I still wouldn't generally classify it as an "extreme" processor like say a Sherman filterbank, but more as a surgical sound-sculpting tool that is also capable of imparting a lot of warmth.
Multiple resonant filter responses are available simultaneously, including lowpass, highpass, bandpass and a really lovely all-pass for the aforementioned phase effects. Simultaneous combinations of multiple filter types are available via lighted enables on the front panel. Besides the filters, the VF-1 sports an LFO, a tube-based drive section and an Envelope Follower with flexible routing. This allows for a huge variety of sound-manipulation just using the VF-1 by itself!
Though it is very warm-sounding, it's not what I would call a "fat" or "beefy" filter, more like an extremely resonant multiband EQ with a really low-noise tube circuit built in - there is somehow a very pristine quality to the second-order tube harmonics and not a lot of "fuzz" if you get my drift - more like a high-end mic pre or DI box rather than a distortion pedal. You can get some very bold distortion if you push it but it's more often useful as a less blatent effect.
In many configurations the VF-1 can be almost "transparent" though it's hugely obvious by its absence if you go into bypass mode.
All-in-all an extremely useful tool and a very handy "secret weapon" for any electronic musician's arsenal! ;)
More info at Allen & Heath.com
Monday, November 9, 2009
Breathing Machinery
Here's my newest song, called "Breathing Machinery":
Breathing machinery by Carbon111
Korg Oasys does Piano and Wave Sequencing, Weird Pads are NI's Absynth and, except for some clickety bits from Digidesign's "Boom", all the Drum Sounds and Rhythm Beds were done in NI's Absynth as well. Vox is me thru a BLUE Blueberry.
Looking at you
She's not seeing anyone
Moving so strangely from the plastic and glass and rum
Sugar and spice and everything nice
- is not what you came here for
Sugar and spice and everything nice
- is that what she came here for?
She's Breathing Machinery
Feeling Machinery
She's Making Memories
Feeding Machinery
Nothing's been said
But she's the one for you
Her serial number is an impossible dream-come-true
With parts off the shelf you could have built her yourself
But where is the fun in that?
Selling bits of yourself, she'd be rolling in wealth
- and there is the fun in that
She's Breathing Machinery
Feeling Machinery
She's Making Memories
Feeding Machinery...
Breathing machinery by Carbon111
Korg Oasys does Piano and Wave Sequencing, Weird Pads are NI's Absynth and, except for some clickety bits from Digidesign's "Boom", all the Drum Sounds and Rhythm Beds were done in NI's Absynth as well. Vox is me thru a BLUE Blueberry.
Looking at you
She's not seeing anyone
Moving so strangely from the plastic and glass and rum
Sugar and spice and everything nice
- is not what you came here for
Sugar and spice and everything nice
- is that what she came here for?
She's Breathing Machinery
Feeling Machinery
She's Making Memories
Feeding Machinery
Nothing's been said
But she's the one for you
Her serial number is an impossible dream-come-true
With parts off the shelf you could have built her yourself
But where is the fun in that?
Selling bits of yourself, she'd be rolling in wealth
- and there is the fun in that
She's Breathing Machinery
Feeling Machinery
She's Making Memories
Feeding Machinery...
Wednesday, November 4, 2009
Spark a Reaktion...
I'm generally not a huge fan of softsynths, probably because I think most of them come across as "strident", "brittle" or "glassy-sounding" in terms of their overall timbre. Fortunately there are a few exceptions, one of which is Native Instrument's Reaktor which, depending on the instrument loaded, can sound absolutely lovely!
NI recently released a new Reaktor instrument, or "ensemble" in NI-speak, called Spark. This little gem passed completely under my radar as they marketed it more as a "sound library" for their Kore product line rather than on its own merits. Let me just say at the outset that, if you own Reaktor 5, Spark is well worth the fifty nine dollars they charge for a download.

Born from the Mind of NI's founder Stephan Schmitt, Spark is a fantastic-sounding synthesizer with a ton of character! The signal chain is eclectic even for a softsynth as the oscillator section is relatively simple in structure with much of the timbre shaping being done downstream. The tools available include a gutsy filter, a frequency shifter, an eight pole filter and multiple modulation and feedback paths.
The sounds I've gotten with this beast are both subtle and evocative. It's easy to create anything from an evolving/etheric pad to a gritty broken-guitar lead or a rubbery bass. Many of the timbres have an unusual organic feel, very unlike many other Reaktor Ensembles or stand-alone softsynths I've played.
Spark is well worth a look if you have Reaktor, maybe less so if you only have Kore or the free Kore Player as there's no direct access to the GUI, but it still may be attractive for some due to its great overall sound character.
Spark is a very welcome and unique tool amongst a vast ocean of mediocre, mostly-VA softsynths.
NI recently released a new Reaktor instrument, or "ensemble" in NI-speak, called Spark. This little gem passed completely under my radar as they marketed it more as a "sound library" for their Kore product line rather than on its own merits. Let me just say at the outset that, if you own Reaktor 5, Spark is well worth the fifty nine dollars they charge for a download.
Born from the Mind of NI's founder Stephan Schmitt, Spark is a fantastic-sounding synthesizer with a ton of character! The signal chain is eclectic even for a softsynth as the oscillator section is relatively simple in structure with much of the timbre shaping being done downstream. The tools available include a gutsy filter, a frequency shifter, an eight pole filter and multiple modulation and feedback paths.
The sounds I've gotten with this beast are both subtle and evocative. It's easy to create anything from an evolving/etheric pad to a gritty broken-guitar lead or a rubbery bass. Many of the timbres have an unusual organic feel, very unlike many other Reaktor Ensembles or stand-alone softsynths I've played.
Spark is well worth a look if you have Reaktor, maybe less so if you only have Kore or the free Kore Player as there's no direct access to the GUI, but it still may be attractive for some due to its great overall sound character.
Spark is a very welcome and unique tool amongst a vast ocean of mediocre, mostly-VA softsynths.
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